Saturday, December 17, 2016

Haunted by the Past

Beloved is a novel in which the past is inextricably intertwined with the present and the future. Some say in metaphorically that “your past may come back to haunt you,” but in Beloved this metaphor is brought into physical terms. When an escaped slave named Sethe must murder her infant daughter to keep her from the clutches of slavery, that baby comes back with a vengeance: “124 was spiteful. Full of a baby’s venom” (1). These intriguingly confusing opening lines depict the physical phantasm of the tale. However, there is yet another ghost: the memory of slavery. Slavery’s lingering effects can be seen in how each occupant of the town is said to be broken in some way. Sethe’s experiences, however horrible, are the norm there.  
For Sethe, that past acts like an anchor, weighing her down so she is stuck in stagnation. For her one act of love for her children and defiance toward slavery, the community ostracizes her. While the others in that community too have experienced the horrors of slavery, they shun Sethe for killing her daughter to keep that child from what Sethe believed to be a worse fate than death. She is stuck in this miserable situation with no one but her daughter and the ghost of her baby, almost reminiscent of Sweet Home, in which at least they were all together.
When Paul D, who represents the future, appears in front of Sethe, she is shocked. Soon she is happy, for she is with someone who has experienced what she has, so they have an understanding without Sethe needing to explain anything. Paul D believes that he Sethe, and Denver can start anew and become a family. But Denver does not not want this, as she is as stuck in the past as Sethe is.
Eventually, Denver accepts Paul D, and thus metaphorically accepts that there may be a future for her and her family. She is even to become the “project” of a rich white family. However, looking to the further here, although rose tinted, is speckled with problematic holes. That white family, while said to be a progressive one, has a coin bank reminiscent of the one we see in Ralph Ellison’s Invisible Man. Therefore, everything is not as perfect as it seems.